| EDUCATION | | | | |
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MFA, Art Criticism and Writing
School of Visual Arts, NY | | | | May 2012 |
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BA, Studio Art
University of Texas at Austin, TX | | | | December 2008 |
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| PROFESSIONAL EXPERIENCE | | | | |
| Contributor to Modern Painters | | | | 2016 |
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| Contributor to Frieze | | | | 2016 |
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Associate Editor,
artcritical.com | | | | 2014 – Present |
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Volunteer
Copyeditor to Skeptoid.com | | | | 2014 – Present |
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| Contributor to artsy online | | | | 2014 - 2015 |
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| Contributor to Painting is Dead | | | | 2014 |
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| Contributor to artcritical.com | | | | 2013 - Present |
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| Contributor to ArtSpace online | | | | 2013 - 2014 |
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| Contributor to Art in America online | | | | 2013 - 2014 |
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| Contributor to T Magazine online | | | | 2013 |
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| Contributor to The Forgetory | | | | 2013 |
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| Contributor to ArtSlant.com | | | | 2011 - 2013 |
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| Editorial assistant to Paper Monument | | | | 2011 - 2012 |
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Editorial assistant,
Draw it with Your Eyes Closed:
The art of the art assignment | | | | 2011 - 2012 |
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Co-organizer,
Critical Information
graduate student conference | | | | 2011 |
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| Contributor to The Brooklyn Rail | | | | 2010 - 2017 |
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| SELECTED PUBLICATIONS | | | | |
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A Part of the Main: Davina Semo at Marlborough Contemporary
artcritical | | | | February 2019 |
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Boyd Rice Ain't Nice
Degree Critical | | | | November 2018 |
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"Fuck Richard Prince": The Stolen Memes of Hannes Schmid
artcritical | | | | October 2018 |
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Throbbing heart: Queerness and abstract painting
two coats of paint | | | | September 2018 |
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Oliver Laric: Year of the Dog
Degree Critical | | | | May 2018 |
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Art in the Age of Misanthropic Reproduction
Affidavit | | | | January 2018 |
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Brice Marden's Monochromes
Gagosian, print only | | | | January 2018 |
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The Policewoman Inside Our Heads: Dawn Mellor at Team
artcritical | | | | January 2018 |
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Michel Houellebecq at Venus Over Manhattan
Degree Critical | | | | September 2017 |
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"WITCHES" at September Gallery
Modern Painters | | | | June/July 2017 |
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Kat Larson at Bridge Productions
Modern Painters | | | | May 2017 |
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Back Turned: The Romanticism of Susan Bee and Bill Jacobson
artcritical | | | | April 2017 |
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"Marsden Hartley's Maine"
The Brooklyn Rail | | | | April 2017 |
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"Landscapes Into Art" at C. Grimaldis Gallery
Modern Painters | | | | March 2017 |
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Armory Week 2017: In at the Deep End
Elephant | | | | March 2017 |
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New York City Art Crawl
Elephant | | | | March 2017 |
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How to Value Art Criticism?
The Brooklyn Rail | | | | December/January 2017 |
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untitled
M/E/A/N/I/N/G | | | | December 2016 |
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Spilled Blood: Calvin Marcus at CLEARING
artcritical | | | | October 2016 |
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Go Vegan!: Jonathan Horowitz at the Brant Foundation
artcritical | | | | September 2016 |
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Are Tote Bags Really Good for the Environment?
The Atlantic | | | | September 2016 |
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Encompassing Hostility: "Golden Eggs" at Team Gallery
artcritical | | | | July 2016 |
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Chad States at Vox Populi
Modern Painters | | | | June/July 2016 |
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In-Brief: Van Hanos at Rowhouse Project, Erika Blair at Rope,
and Jeremy Cimafonte at First Continent
Modern Painters | | | | May 2016 |
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"Ready to Drop" at Springsteen
Modern Painters | | | | May 2016 |
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Notes on Dumb as a Quality
in Art That People Sometimes
Refer to Affectionately
Banqueted | | | | May 2016 |
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Mernet Larsen at James Cohan
Frieze | | | | April 2016 |
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This, This, This, This:
Contemporary Digital Curating and Collecting
Degree Critical | | | | April 2016 |
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“Cut-Up: Contemporary Collage and Cut-Up Histories
Through a Feminist Lens” at Franklin Street Works
Modern Painters | | | | April 2016 |
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"The object of power is power":
Erika Blair at Rope Gallery
artcritical | | | | February 2016 |
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Zombies and Vampires:
Alex Bag’s New Scary Movie at Team
artcritical | | | | February 2016 |
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Trees, Petals, Dust, Stone:
Andy Goldsworthy at Galerie Lelong
artcritical | | | | January 2016 |
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Mindless Machines:
Jean Tinguely at Gladstone
artcritical | | | | December 2015 |
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Tell Me: Bill Corbett
artcritical | | | | December 2015 |
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Tell Me: Hiba Schahbaz
artcritical | | | | November 2015 |
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Artist as Imaginary Friend:
The Dull Spectacle of "The End of the Tour”
artcritical | | | | August 2015 |
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Northwest Notes:
Dispatch from the Pacific
artcritical | | | | August 2015 |
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Monochromatic Polyphony: Gray at Marc Straus
artcritical | | | | August 2015 |
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Tote Book
self-published edition of 12 | | | | July 2015 |
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What's not the Matter with Richard Prince
artcritical | | | | July 2015 |
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Tell Me: Daniel Herr
artcritical | | | | March 2015 |
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Brian Belott at 247365's New Location
artcritical | | | | March 2015 |
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Tell Me: Anne Sherwood Pundyk
artcritical | | | | March 2015 |
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Davina Semo
The Brooklyn Rail | | | | March 2015 |
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Tell Me: Eric Sutphin
artcritical | | | | Feburary 2015 |
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Grave and Buried: Alfredo Jaar and Nicaragua’s Ignored History
artcritical | | | | Feburary 2015 |
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Rachel Beach
Come Together: Surviving Sandy | | | | November 2014 |
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Lynda Benglis
Come Together: Surviving Sandy | | | | November 2014 |
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Cy Morgan
Come Together: Surviving Sandy | | | | November 2014 |
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Cordy Ryman
Come Together: Surviving Sandy | | | | November 2014 |
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Wendy White
Come Together: Surviving Sandy | | | | November 2014 |
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The Zombies:
Contemporary Abstraction and Its Critics
artcritical | | | | October 2014 |
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Sweet and Dandy:
Tomer Aluf's Bohemian Paintings
artcritical | | | | October 2014 |
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This Project is Experiencing Some Delays:
Noah Dillon's Deferred Reading List
artcritical | | | | August 2014 |
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Futurism at the Guggenheim
Painting is Dead | | | | August 2014 |
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Superflex in "Bloodflames Revisited" at Paul Kasmin
artcritical | | | | July 2014 |
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On Kawara:
January 2, 1933 - June 2014
artcritical | | | | July 2014 |
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Kristan Kennedy at SOLOWAY
artcritical | | | | June 2014 |
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Punchline in Search of a Comedian:
Jayson Musson takes on Nancy
artcritical | | | | June 2014 |
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A Fleeting Moment on the J Train:
Robert Janitz on his recent work
artcritical | | | | March 2014 |
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"Some of these paintings are smarter than me":
Daniel Levine Talks Monochrome
artcritical | | | | January 2014 |
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Jon Rafman at Zach Feuer
Art in America | | | | January 2014 |
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Cold Days, Hot Paintings: A German in New York
Art in America online | | | | January 2014 |
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Helmut Federle: The Ferner Paintings
The Brooklyn Rail | | | | December 2013 |
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I Called Him Scott: An Interview with Scott Reeder
Art in America online | | | | November 2013 |
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Dodgy Anthropology But Formally Engrossing:
Matthew Craven and the Ancient World
artcritical | | | | November 2013 |
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Two Artists, a Chevy Astro Van
and a Statue of Michael Jackson
T Magazine online | | | | October 2013 |
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Paul McCarthy at Hauser & Wirth
The Forgetory | | | | September 2013 |
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Questions About Painting & Criticism
The Zephyr | | | | September 2013 |
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What is Art?
The Brooklyn Rail | | | | September 2013 |
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Dave Miko and Tom Thayer
Art in America | | | | June 2013 |
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New Technologies Don’t Always Mean
Interesting Painting
ArtSlant.com | | | | May 2013 |
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The Promise of the Image
ArtSlant.com | | | | March 2013 |
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“David Shrigley: Signs”
The Brooklyn Rail | | | | March 2013 |
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The Craft of Looking: Drawings by Leo Steinberg
artcritical | | | | February 2013 |
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“HiJack!” at Jack Shainman
The Brooklyn Rail | | | | November 2012 |
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A Testament
ArtSlant.com: GeoSlant | | | | May 2012 |
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“Anonymous Tantra Paintings” at Feature Inc.
The Brooklyn Rail | | | | February 2012 |
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“Connected” at Feature Inc.
The Brooklyn Rail | | | | February 2012 |
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Greg Drasler at Betty Cunningham
Degree Critical | | | | November 2011 |
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“Nicola López, Landscape X: Under Construction”
The Brooklyn Rail | | | | October 2011 |
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In Conversation with George Gittoes
The Brooklyn Rail | | | | September 2011 |
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Locations, Locations, Locations: "Locations"
at Paula Cooper
Degree Critical: Mapping | | | | September 2011 |
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George Gittoes: Witness to a War
The Brooklyn Rail | | | | July 2011 |
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Abstraction Here and Now
ArtSlant.com | | | | July 2011 |
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“Alchemy & Inquiry” at Wave Hill
The Brooklyn Rail
| | | | June 2011 |
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Book Review: There Will Still be a Studio Problem
Degree Critical | | | | April 2011 |
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In Conversation with Jonas Mekas
The Brooklyn Rail | | | | November 2010 |